Device Orientation
| Event Supported | |
| Tilt Left/Right [tiltLR] | |
| Tilt Front/Back [tiltFB] | |
| Direction [direction] | |
| Motion Up/Down |
Specially for the Dutch Electronic Art Festival 2014, PIPS:lab will take over the library of Het Nieuwe Instituut with their Potator Performances.
In these sessions you might witness the creation of an aircraft, a un inscrutable choreography by two men and a camera and we will take you to at least one other dimension.
In these performances PIPS:lab puts itself recklessly caught between painting, theatre, games, choreography and cinema.
May 23 at 7pm and 9pm
May 24 freestyle potator jam at the closing night after 11pm
The Potator is the latest invention of PIPS:lab. The Potator makes it possible to paint in 3D with visual peels of reality, by combining the qualities of a vegetable peeler with that of a brush. The handy tool scans everything that appaers in its visual range; objects, textures or backgrounds - thereby always aware of its own position. With the photographical strips the user of the Potator can paint spatially or sculpt virtually. The visual output manifests itself as a photo or augmented reality: reality functions as paint and canvas at the same time. The Potator brings together painting, sculpting and movement, and challenges its users to shape reality…
get the ticketFreestyle Potating in the motion capture installation during the last night of the Dutch Electronic Arts Festival.
The Potator is the latest invention of PIPS:lab. The Potator makes it possible to paint in 3D with visual peels of reality, by combining the qualities of a vegetable peeler with that of a brush. The handy tool scans everything that appaers in its visual range; objects, textures or backgrounds - thereby always aware of its own position. With the photographical strips the user of the Potator can paint spatially or sculpt virtually. The visual output manifests itself as a photo or augmented reality: reality functions as paint and canvas at the same time. The Potator brings together painting, sculpting and movement, and challenges its users to shape reality…
What do you want to do when you’re dead?
Hyves, Facebook, MySpace, Friendster, LinkedIn – it’s almost a full-time job keeping up with all these online communities, updating your profile, sending messages and uploading your latest best photos. And now tech-theatre group PiPS:lab wants us to join another one: DieSpace. There is one prerequisite though: you have to be dead to join. Because of the fast ‘greyification’ of our society, the number of people dying will be increasing rapidly. And dead people don’t have a place to socialize yet… PiPS:lab jumped at this great business opportunity and created DieSpace: “the first active internet community for the diseased”.
Each visitor of their show will get a free DieSpace light account to start out with. So from now on, there’s only one thing to fear after death: whether or not you’ll make enough friends on DieSpace. / Annelies Termeer
The proportional amount of elderly people (65+) in the world will increase dramatically in the near future. This cause of events is what PIPS:lab call Greyification. And in it they see an enormous possibility for commercial self-enrichment.
Thus they create DieSpace.nl: the first internet community for those in the Afterlife.
With granny’s skateboarding on walking frames, musical wheelchairs, many laptops, camera’s and light sensors PIPS:lab presents an interactive and song soaked show about life after death. 

You have a death wish but are hesitant to pursue your dream? With DieSpace you can leave your life and loved ones behind with complete peace of mind!
Co-produced by Melkweg-Paradiso Productiehuis
DieSpace is supported by the Fonds voor Amateurkunst en Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuur Fonds and VSB Fonds
PIPS:lab is a laboratory and known for it's pioneering work in the field of Art & Technology. To share our knowledge, experience and tools, we sometimes do educational projects with students in different art disciplines.
We can supervise assignments or projects by individual students or small groups on a project base. We also regularly have interns in the lab. And if you would like to visit our lab with a group of students, please feel free to contact us.
Specials are unique tailor-made shows or interventions for special events... Suitable for the opening of your festival or event, unveiling of your new logo, or for an interactive questionaire with your audience (up to 1000 people) with our lightwriting technique.
Are you organizing a congres or event and you have an idea (or you have NO idea and need one...), we're happy to think along. Please contact us: Debbie Straver / debbie[at]pipslab.nl / +31 (0)6 24594827
What do you want to do when you’re dead?
Hyves, Facebook, MySpace, Friendster, LinkedIn – it’s almost a full-time job keeping up with all these online communities, updating your profile, sending messages and uploading your latest best photos. And now tech-theatre group PiPS:lab wants us to join another one: DieSpace. There is one prerequisite though: you have to be dead to join. Because of the fast ‘greyification’ of our society, the number of people dying will be increasing rapidly. And dead people don’t have a place to socialize yet… PiPS:lab jumped at this great business opportunity and created DieSpace: “the first active internet community for the diseased”.
Each visitor of their show will get a free DieSpace light account to start out with. So from now on, there’s only one thing to fear after death: whether or not you’ll make enough friends on DieSpace. / Annelies Termeer
The proportional amount of elderly people (65+) in the world will increase dramatically in the near future. This cause of events is what PIPS:lab call Greyification. And in it they see an enormous possibility for commercial self-enrichment.
Thus they create DieSpace.nl: the first internet community for those in the Afterlife.
With granny’s skateboarding on walking frames, musical wheelchairs, many laptops, camera’s and light sensors PIPS:lab presents an interactive and song soaked show about life after death. 

You have a death wish but are hesitant to pursue your dream? With DieSpace you can leave your life and loved ones behind with complete peace of mind!
Co-produced by Melkweg-Paradiso Productiehuis
DieSpace is supported by the Fonds voor Amateurkunst en Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuur Fonds and VSB Fonds
What do you want to do when you’re dead?
Hyves, Facebook, MySpace, Friendster, LinkedIn – it’s almost a full-time job keeping up with all these online communities, updating your profile, sending messages and uploading your latest best photos. And now tech-theatre group PiPS:lab wants us to join another one: DieSpace. There is one prerequisite though: you have to be dead to join. Because of the fast ‘greyification’ of our society, the number of people dying will be increasing rapidly. And dead people don’t have a place to socialize yet… PiPS:lab jumped at this great business opportunity and created DieSpace: “the first active internet community for the diseased”.
Each visitor of their show will get a free DieSpace light account to start out with. So from now on, there’s only one thing to fear after death: whether or not you’ll make enough friends on DieSpace. / Annelies Termeer
The proportional amount of elderly people (65+) in the world will increase dramatically in the near future. This cause of events is what PIPS:lab call Greyification. And in it they see an enormous possibility for commercial self-enrichment.
Thus they create DieSpace.nl: the first internet community for those in the Afterlife.
With granny’s skateboarding on walking frames, musical wheelchairs, many laptops, camera’s and light sensors PIPS:lab presents an interactive and song soaked show about life after death. 

You have a death wish but are hesitant to pursue your dream? With DieSpace you can leave your life and loved ones behind with complete peace of mind!
Co-produced by Melkweg-Paradiso Productiehuis
DieSpace is supported by the Fonds voor Amateurkunst en Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuur Fonds and VSB Fonds
photo: Szilvi Toth
Social Fiction a multimedia theatre performance where science fiction meets social media.
Every day all social media ask us to provide a lot of input, also private information. And we give it. We give everything. Simply because we want to use these services to be able to share, tag and follow online. Like our friends. We loose most of our rights on this information – many times without knowing it. Let alone that we’re beware of the potential abuse.
In Social Fiction the personification of social media extorts information and even physical appearances from the performers and the audience. People are followed and scanned. Text messages get published and fall apart: seemingly meaningless, but forever saved and traceable. All the collected and constructed elements in the show are three dimensionally composed with our Potator tools in a motion capture installation. Social Fiction is a sequence of acts and actions filled with funky music and a unique solo on recorder. It results in a grand finale that breaks the boundaries between theatre, cinema and videogames.
Social Fiction on Facebook
De Parade
Interview on VPRO
Recensie*** Theaterkrant
photo: Szilvi Toth
Social Fiction a multimedia theatre performance where science fiction meets social media.
Every day all social media ask us to provide a lot of input, also private information. And we give it. We give everything. Simply because we want to use these services to be able to share, tag and follow online. Like our friends. We loose most of our rights on this information – many times without knowing it. Let alone that we’re beware of the potential abuse.
In Social Fiction the personification of social media extorts information and even physical appearances from the performers and the audience. People are followed and scanned. Text messages get published and fall apart: seemingly meaningless, but forever saved and traceable. All the collected and constructed elements in the show are three dimensionally composed with our Potator tools in a motion capture installation. Social Fiction is a sequence of acts and actions filled with funky music and a unique solo on recorder. It results in a grand finale that breaks the boundaries between theatre, cinema and videogames.
Social Fiction on Facebook
De Parade
Interview on VPRO
Recensie*** Theaterkrant
photo: Szilvi Toth
Social Fiction a multimedia theatre performance where science fiction meets social media.
Every day all social media ask us to provide a lot of input, also private information. And we give it. We give everything. Simply because we want to use these services to be able to share, tag and follow online. Like our friends. We loose most of our rights on this information – many times without knowing it. Let alone that we’re beware of the potential abuse.
In Social Fiction the personification of social media extorts information and even physical appearances from the performers and the audience. People are followed and scanned. Text messages get published and fall apart: seemingly meaningless, but forever saved and traceable. All the collected and constructed elements in the show are three dimensionally composed with our Potator tools in a motion capture installation. Social Fiction is a sequence of acts and actions filled with funky music and a unique solo on recorder. It results in a grand finale that breaks the boundaries between theatre, cinema and videogames.
Social Fiction on Facebook
De Parade
Interview on VPRO
Recensie*** Theaterkrant
photo: Szilvi Toth
Social Fiction a multimedia theatre performance where science fiction meets social media.
Every day all social media ask us to provide a lot of input, also private information. And we give it. We give everything. Simply because we want to use these services to be able to share, tag and follow online. Like our friends. We loose most of our rights on this information – many times without knowing it. Let alone that we’re beware of the potential abuse.
In Social Fiction the personification of social media extorts information and even physical appearances from the performers and the audience. People are followed and scanned. Text messages get published and fall apart: seemingly meaningless, but forever saved and traceable. All the collected and constructed elements in the show are three dimensionally composed with our Potator tools in a motion capture installation. Social Fiction is a sequence of acts and actions filled with funky music and a unique solo on recorder. It results in a grand finale that breaks the boundaries between theatre, cinema and videogames.
Social Fiction on Facebook
De Parade
Interview on VPRO
Recensie*** Theaterkrant
Installation: A dark round room surrounded by cameras with long exposure times. Participants can draw a three dimensional light sculpture with an arsenal of light tools. A flash of light determined by a countdown captures the participant(s) in the midth of their creation.
Specials are unique tailor-made shows or interventions for special events... Suitable for the opening of your festival or event, unveiling of your new logo, or for an interactive questionaire with your audience (up to 1000 people) with our lightwriting technique.
Are you organizing a congres or event and you have an idea (or you have NO idea and need one...), we're happy to think along. Please contact us: Debbie Straver / debbie[at]pipslab.nl / +31 (0)6 24594827
to the project's page
Lumalive is a visual show where we draw with light and create stunning visuals again following the PIPS:lab philosophy of no pre-recorded material and where all the technical manipulation is done live on stage. For these performances PIPS:lab create a great and musically inspired show, however we always end the set by handing out lights and letting the audience draw for a while to create the visuals. Normally these shows are combined with our own DJ's from Rednosedistrikt, but we could also collaborate with local DJ's.
to the project's page
What do you want to do when you’re dead?
Hyves, Facebook, MySpace, Friendster, LinkedIn – it’s almost a full-time job keeping up with all these online communities, updating your profile, sending messages and uploading your latest best photos. And now tech-theatre group PiPS:lab wants us to join another one: DieSpace. There is one prerequisite though: you have to be dead to join. Because of the fast ‘greyification’ of our society, the number of people dying will be increasing rapidly. And dead people don’t have a place to socialize yet… PiPS:lab jumped at this great business opportunity and created DieSpace: “the first active internet community for the diseased”.
Each visitor of their show will get a free DieSpace light account to start out with. So from now on, there’s only one thing to fear after death: whether or not you’ll make enough friends on DieSpace. / Annelies Termeer
The proportional amount of elderly people (65+) in the world will increase dramatically in the near future. This cause of events is what PIPS:lab call Greyification. And in it they see an enormous possibility for commercial self-enrichment.
Thus they create DieSpace.nl: the first internet community for those in the Afterlife.
With granny’s skateboarding on walking frames, musical wheelchairs, many laptops, camera’s and light sensors PIPS:lab presents an interactive and song soaked show about life after death. 

You have a death wish but are hesitant to pursue your dream? With DieSpace you can leave your life and loved ones behind with complete peace of mind!
Co-produced by Melkweg-Paradiso Productiehuis
DieSpace is supported by the Fonds voor Amateurkunst en Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuur Fonds and VSB Fonds
to the project's page
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
The Potator is the latest invention of PIPS:lab. The Potator makes it possible to paint in 3D with visual peels of reality, by combining the qualities of a vegetable peeler with that of a brush. The handy tool scans everything that appaers in its visual range; objects, textures or backgrounds - thereby always aware of its own position. With the photographical strips the user of the Potator can paint spatially or sculpt virtually. The visual output manifests itself as a photo or augmented reality: reality functions as paint and canvas at the same time. The Potator brings together painting, sculpting and movement, and challenges its users to shape reality…
to the project's page
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
Specials are unique tailor-made shows or interventions for special events... Suitable for the opening of your festival or event, unveiling of your new logo, or for an interactive questionaire with your audience (up to 1000 people) with our lightwriting technique.
Are you organizing a congres or event and you have an idea (or you have NO idea and need one...), we're happy to think along. Please contact us: Debbie Straver / debbie[at]pipslab.nl / +31 (0)6 24594827
to the project's page
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
Specials are unique tailor-made shows or interventions for special events... Suitable for the opening of your festival or event, unveiling of your new logo, or for an interactive questionaire with your audience (up to 1000 people) with our lightwriting technique.
Are you organizing a congres or event and you have an idea (or you have NO idea and need one...), we're happy to think along. Please contact us: Debbie Straver / debbie[at]pipslab.nl / +31 (0)6 24594827
to the project's page
A collaboration with Likeminds and De Factory. And Thijs is the director.
Specials are unique tailor-made shows or interventions for special events... Suitable for the opening of your festival or event, unveiling of your new logo, or for an interactive questionaire with your audience (up to 1000 people) with our lightwriting technique.
Are you organizing a congres or event and you have an idea (or you have NO idea and need one...), we're happy to think along. Please contact us: Debbie Straver / debbie[at]pipslab.nl / +31 (0)6 24594827
to the project's page
Specials are unique tailor-made shows or interventions for special events... Suitable for the opening of your festival or event, unveiling of your new logo, or for an interactive questionaire with your audience (up to 1000 people) with our lightwriting technique.
Are you organizing a congres or event and you have an idea (or you have NO idea and need one...), we're happy to think along. Please contact us: Debbie Straver / debbie[at]pipslab.nl / +31 (0)6 24594827
to the project's page
The Potator is the latest invention of PIPS:lab. The Potator makes it possible to paint in 3D with visual peels of reality, by combining the qualities of a vegetable peeler with that of a brush. The handy tool scans everything that appaers in its visual range; objects, textures or backgrounds - thereby always aware of its own position. With the photographical strips the user of the Potator can paint spatially or sculpt virtually. The visual output manifests itself as a photo or augmented reality: reality functions as paint and canvas at the same time. The Potator brings together painting, sculpting and movement, and challenges its users to shape reality…
to the project's page
first halfhalf painting in PIPSlab
Together with Thomas Bratzke, we created the new art discipline half/half paintings. These paintings are partly for real and partly in augmented reality. Looking at the painting you can see the craftmanship of the painter, if you keep your iPad in front of it, a second virtual layer appears. We can describe it, but you should actually see it for yourself! Check out the video in pics and media.
to the project's page
What do you want to do when you’re dead?
Hyves, Facebook, MySpace, Friendster, LinkedIn – it’s almost a full-time job keeping up with all these online communities, updating your profile, sending messages and uploading your latest best photos. And now tech-theatre group PiPS:lab wants us to join another one: DieSpace. There is one prerequisite though: you have to be dead to join. Because of the fast ‘greyification’ of our society, the number of people dying will be increasing rapidly. And dead people don’t have a place to socialize yet… PiPS:lab jumped at this great business opportunity and created DieSpace: “the first active internet community for the diseased”.
Each visitor of their show will get a free DieSpace light account to start out with. So from now on, there’s only one thing to fear after death: whether or not you’ll make enough friends on DieSpace. / Annelies Termeer
The proportional amount of elderly people (65+) in the world will increase dramatically in the near future. This cause of events is what PIPS:lab call Greyification. And in it they see an enormous possibility for commercial self-enrichment.
Thus they create DieSpace.nl: the first internet community for those in the Afterlife.
With granny’s skateboarding on walking frames, musical wheelchairs, many laptops, camera’s and light sensors PIPS:lab presents an interactive and song soaked show about life after death. 

You have a death wish but are hesitant to pursue your dream? With DieSpace you can leave your life and loved ones behind with complete peace of mind!
Co-produced by Melkweg-Paradiso Productiehuis
DieSpace is supported by the Fonds voor Amateurkunst en Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuur Fonds and VSB Fonds
to the project's page
What do you want to do when you’re dead?
Hyves, Facebook, MySpace, Friendster, LinkedIn – it’s almost a full-time job keeping up with all these online communities, updating your profile, sending messages and uploading your latest best photos. And now tech-theatre group PiPS:lab wants us to join another one: DieSpace. There is one prerequisite though: you have to be dead to join. Because of the fast ‘greyification’ of our society, the number of people dying will be increasing rapidly. And dead people don’t have a place to socialize yet… PiPS:lab jumped at this great business opportunity and created DieSpace: “the first active internet community for the diseased”.
Each visitor of their show will get a free DieSpace light account to start out with. So from now on, there’s only one thing to fear after death: whether or not you’ll make enough friends on DieSpace. / Annelies Termeer
The proportional amount of elderly people (65+) in the world will increase dramatically in the near future. This cause of events is what PIPS:lab call Greyification. And in it they see an enormous possibility for commercial self-enrichment.
Thus they create DieSpace.nl: the first internet community for those in the Afterlife.
With granny’s skateboarding on walking frames, musical wheelchairs, many laptops, camera’s and light sensors PIPS:lab presents an interactive and song soaked show about life after death. 

You have a death wish but are hesitant to pursue your dream? With DieSpace you can leave your life and loved ones behind with complete peace of mind!
Co-produced by Melkweg-Paradiso Productiehuis
DieSpace is supported by the Fonds voor Amateurkunst en Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuur Fonds and VSB Fonds
to the project's page
What do you want to do when you’re dead?
Hyves, Facebook, MySpace, Friendster, LinkedIn – it’s almost a full-time job keeping up with all these online communities, updating your profile, sending messages and uploading your latest best photos. And now tech-theatre group PiPS:lab wants us to join another one: DieSpace. There is one prerequisite though: you have to be dead to join. Because of the fast ‘greyification’ of our society, the number of people dying will be increasing rapidly. And dead people don’t have a place to socialize yet… PiPS:lab jumped at this great business opportunity and created DieSpace: “the first active internet community for the diseased”.
Each visitor of their show will get a free DieSpace light account to start out with. So from now on, there’s only one thing to fear after death: whether or not you’ll make enough friends on DieSpace. / Annelies Termeer
The proportional amount of elderly people (65+) in the world will increase dramatically in the near future. This cause of events is what PIPS:lab call Greyification. And in it they see an enormous possibility for commercial self-enrichment.
Thus they create DieSpace.nl: the first internet community for those in the Afterlife.
With granny’s skateboarding on walking frames, musical wheelchairs, many laptops, camera’s and light sensors PIPS:lab presents an interactive and song soaked show about life after death. 

You have a death wish but are hesitant to pursue your dream? With DieSpace you can leave your life and loved ones behind with complete peace of mind!
Co-produced by Melkweg-Paradiso Productiehuis
DieSpace is supported by the Fonds voor Amateurkunst en Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuur Fonds and VSB Fonds
to the project's page
photo: Jakob Schlötter
Oneseconds en PIPS:lab present: HET SPOOKHUIS [THE HAUNTED HOUSE]
The Haunted House is dark. The Haunted House is a confrontation with yourself. Much more can not be said without spoiling it. We can only warn. A visit to the Haunted House is an intelligent, psychological anxiety experience…
If you are not afraid of a life changing experience …
If you dare to lose complete control …
If you have the courage to get lost in your inner-self…
to the project's pagephoto: Szilvi Toth
Social Fiction a multimedia theatre performance where science fiction meets social media.
Every day all social media ask us to provide a lot of input, also private information. And we give it. We give everything. Simply because we want to use these services to be able to share, tag and follow online. Like our friends. We loose most of our rights on this information – many times without knowing it. Let alone that we’re beware of the potential abuse.
In Social Fiction the personification of social media extorts information and even physical appearances from the performers and the audience. People are followed and scanned. Text messages get published and fall apart: seemingly meaningless, but forever saved and traceable. All the collected and constructed elements in the show are three dimensionally composed with our Potator tools in a motion capture installation. Social Fiction is a sequence of acts and actions filled with funky music and a unique solo on recorder. It results in a grand finale that breaks the boundaries between theatre, cinema and videogames.
photo: Szilvi Toth
Social Fiction a multimedia theatre performance where science fiction meets social media.
Every day all social media ask us to provide a lot of input, also private information. And we give it. We give everything. Simply because we want to use these services to be able to share, tag and follow online. Like our friends. We loose most of our rights on this information – many times without knowing it. Let alone that we’re beware of the potential abuse.
In Social Fiction the personification of social media extorts information and even physical appearances from the performers and the audience. People are followed and scanned. Text messages get published and fall apart: seemingly meaningless, but forever saved and traceable. All the collected and constructed elements in the show are three dimensionally composed with our Potator tools in a motion capture installation. Social Fiction is a sequence of acts and actions filled with funky music and a unique solo on recorder. It results in a grand finale that breaks the boundaries between theatre, cinema and videogames.
With little rituals Daan celebrates his love for Yvonne. He puts her in a doll house, covers the table with her dishes and wears her clothes. It's the little things that are important to him.
photo: Szilvi Toth
Social Fiction a multimedia theatre performance where science fiction meets social media.
Every day all social media ask us to provide a lot of input, also private information. And we give it. We give everything. Simply because we want to use these services to be able to share, tag and follow online. Like our friends. We loose most of our rights on this information – many times without knowing it. Let alone that we’re beware of the potential abuse.
In Social Fiction the personification of social media extorts information and even physical appearances from the performers and the audience. People are followed and scanned. Text messages get published and fall apart: seemingly meaningless, but forever saved and traceable. All the collected and constructed elements in the show are three dimensionally composed with our Potator tools in a motion capture installation. Social Fiction is a sequence of acts and actions filled with funky music and a unique solo on recorder. It results in a grand finale that breaks the boundaries between theatre, cinema and videogames.
photo: Jakob Schlötter
Oneseconds en PIPS:lab present: HET SPOOKHUIS [THE HAUNTED HOUSE]
The Haunted House is dark. The Haunted House is a confrontation with yourself. Much more can not be said without spoiling it. We can only warn. A visit to the Haunted House is an intelligent, psychological anxiety experience…
If you are not afraid of a life changing experience …
If you dare to lose complete control …
If you have the courage to get lost in your inner-self…
to the project's pagephoto: Jakob Schlötter
Oneseconds en PIPS:lab present: HET SPOOKHUIS [THE HAUNTED HOUSE]
The Haunted House is dark. The Haunted House is a confrontation with yourself. Much more can not be said without spoiling it. We can only warn. A visit to the Haunted House is an intelligent, psychological anxiety experience…
If you are not afraid of a life changing experience …
If you dare to lose complete control …
If you have the courage to get lost in your inner-self…
to the project's page
What do you want to do when you’re dead?
Hyves, Facebook, MySpace, Friendster, LinkedIn – it’s almost a full-time job keeping up with all these online communities, updating your profile, sending messages and uploading your latest best photos. And now tech-theatre group PiPS:lab wants us to join another one: DieSpace. There is one prerequisite though: you have to be dead to join. Because of the fast ‘greyification’ of our society, the number of people dying will be increasing rapidly. And dead people don’t have a place to socialize yet… PiPS:lab jumped at this great business opportunity and created DieSpace: “the first active internet community for the diseased”.
Each visitor of their show will get a free DieSpace light account to start out with. So from now on, there’s only one thing to fear after death: whether or not you’ll make enough friends on DieSpace. / Annelies Termeer
The proportional amount of elderly people (65+) in the world will increase dramatically in the near future. This cause of events is what PIPS:lab call Greyification. And in it they see an enormous possibility for commercial self-enrichment.
Thus they create DieSpace.nl: the first internet community for those in the Afterlife.
With granny’s skateboarding on walking frames, musical wheelchairs, many laptops, camera’s and light sensors PIPS:lab presents an interactive and song soaked show about life after death. 

You have a death wish but are hesitant to pursue your dream? With DieSpace you can leave your life and loved ones behind with complete peace of mind!
Co-produced by Melkweg-Paradiso Productiehuis
DieSpace is supported by the Fonds voor Amateurkunst en Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuur Fonds and VSB Fonds
to the project's pagephoto: Jakob Schlötter
Oneseconds en PIPS:lab present: HET SPOOKHUIS [THE HAUNTED HOUSE]
The Haunted House is dark. The Haunted House is a confrontation with yourself. Much more can not be said without spoiling it. We can only warn. A visit to the Haunted House is an intelligent, psychological anxiety experience…
If you are not afraid of a life changing experience …
If you dare to lose complete control …
If you have the courage to get lost in your inner-self…
to the project's page
What do you want to do when you’re dead?
Hyves, Facebook, MySpace, Friendster, LinkedIn – it’s almost a full-time job keeping up with all these online communities, updating your profile, sending messages and uploading your latest best photos. And now tech-theatre group PiPS:lab wants us to join another one: DieSpace. There is one prerequisite though: you have to be dead to join. Because of the fast ‘greyification’ of our society, the number of people dying will be increasing rapidly. And dead people don’t have a place to socialize yet… PiPS:lab jumped at this great business opportunity and created DieSpace: “the first active internet community for the diseased”.
Each visitor of their show will get a free DieSpace light account to start out with. So from now on, there’s only one thing to fear after death: whether or not you’ll make enough friends on DieSpace. / Annelies Termeer
The proportional amount of elderly people (65+) in the world will increase dramatically in the near future. This cause of events is what PIPS:lab call Greyification. And in it they see an enormous possibility for commercial self-enrichment.
Thus they create DieSpace.nl: the first internet community for those in the Afterlife.
With granny’s skateboarding on walking frames, musical wheelchairs, many laptops, camera’s and light sensors PIPS:lab presents an interactive and song soaked show about life after death. 

You have a death wish but are hesitant to pursue your dream? With DieSpace you can leave your life and loved ones behind with complete peace of mind!
Co-produced by Melkweg-Paradiso Productiehuis
DieSpace is supported by the Fonds voor Amateurkunst en Podiumkunsten, Amsterdams Fonds voor de Kunsten, Prins Bernhard Cultuur Fonds and VSB Fonds
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The Potator is the latest invention of PIPS:lab. The Potator makes it possible to paint in 3D with visual peels of reality, by combining the qualities of a vegetable peeler with that of a brush. The handy tool scans everything that appaers in its visual range; objects, textures or backgrounds - thereby always aware of its own position. With the photographical strips the user of the Potator can paint spatially or sculpt virtually. The visual output manifests itself as a photo or augmented reality: reality functions as paint and canvas at the same time. The Potator brings together painting, sculpting and movement, and challenges its users to shape reality…
to the project's page| Event Supported | |
| Tilt Left/Right [tiltLR] | |
| Tilt Front/Back [tiltFB] | |
| Direction [direction] | |
| Motion Up/Down |
